PRIVILEGED MOMENTS AND ANY MOMENTS The place of the body in the exercise of painting in LARGE FORMAT
In this monograph we are interested in working on the possibility of connecting with internal sensations to create a direct approach to movement that then leads us to the stroke. We emphasize the ability of each person to connect with their own creative experience. We start with small, intimate and centrifugal gestures to progressively increase the dimensions of the paper support and thus merge with the brush in a dance of gesture, impulse and stroke. The purpose of this work is to integrate physical movement with the recording of the gesture that comes from the confluence of personal images, sensations and proposed activities.